"The Handbook of Speech Production provides a state-of-the-art survey of the interdisciplinary field of speech production"-- Provided by publisher.

Includes bibliographical references and index.

Machine generated contents note: Introduction Melissa A. Redford Part 1. The Speech Mechanism Speech breathing across the life span and in disease Jessica E. Huber & Elaine T. Stathopoulos Mechanisms of voice production Brad H. Story Supralaryngeal articulators in the oropharyngeal region Kiyoshi Honda Jaw and lips Pascal H.H.M. van Lieshout Velopharyngeal function in speech production: some developmental and structural considerations David J. Zajac Part 2. Coordination & Multimodal Speech Interarticulatory coordination: speech sounds Philip Hoole & Marianne Pouplier Rhythm and speech Fred Cummins Auditory-visual speech processing: something doesn't add up Eric Vatikiotis-Bateson & Kevin G. Munhall Multimodal speech production Lucie Menard Part 3. Speech Motor Control Motor equivalence in speech production Pascal Perrier & Susanne Fuchs Orofacial cutaneous function in speech motor control and learning Takayuki Ito Auditory feedback John Houde Speech production in motor speech disorders: lesions, models, and a research agenda Gary Weismer & Jordan R. Green Process-oriented diagnosis of Childhood and adult Apraxia of Speech (CAS & AOS) Ben Maassen & Hayo Terband Part 4. Sequencing & Planning Central tenets of the frame/content theory of evolution and acquisition of speech production Peter MacNeilage Acquisition of temporal patterns Melissa A. Redford Insights for speech production planning from errors in inner speech Gary S. Dell & Gary M. Oppenheim Prosodic frames in speech production Stefanie Shattuck-Hufnagel Fluency and disfluency Robin J. Lickley Part 5. Language Factors Insights from the field Didier Demolin Language effects on timing at the segmental and suprasegmental levels Taehong Cho Cross-language differences in acquisition Jan R. Edwards, Mary E. Beckman, & Benjamin Munson Effects of language on motor processes in development Lisa Goffman.

Print version record and CIP data provided by publisher.

Title Page; Copyright Page; Contents; Notes on Contributors; Acknowledgments; Chapter 1 Introduction; 1.1 Speech production: what it is and why it matters; 1.2 Organization of the Handbook; 1.3 Conclusion; References; Part I The Speech Mechanism; Chapter 2 Speech Breathing Across the Life Span and in Disease; 2.1 Introduction; 2.2 Kinematic overview of the breathing cycle; 2.3 Anatomical and physiological changes of the respiratory system across the life span; 2.4 Typical speech breathing across the life span; 2.5 Effects of parkinson's disease on the respiratory system.

2.6 Effects of parkinson's disease on speech breathing2.7 Summary and future directions; References; Chapter 3 Mechanisms of Voice Production; 3.1 Introduction; 3.2 Laryngeal anatomy and physiology; 3.3 Kinematics of vocal fold vibration; 3.4 Acoustics of vocal sound production; 3.5 The vocal folds as a self-oscillating system; 3.6 Computational models of phonation; 3.7 Summary; Note; References; Chapter 4 Supralaryngeal Articulators in the Oropharyngeal Region; 4.1 Introduction; 4.2 Oropharyngeal articulators; 4.3 Vocal tract and its resonances; 4.4 Summary; References; Further Reading.

Chapter 5 Jaw and Lips5.1 Introduction; 5.2 Anatomy and physiology; 5.3 Role of lips and jaw in oral motor functions; 5.4 Summary and conclusions; Notes; References; Chapter 6 Velopharyngeal Function in Speech Production: Some Developmental and Structural Considerations; 6.1 Introduction; 6.2 Instrumental assessment of vp function; 6.3 Normal VP function; 6.4 Age-related changes in vp structure and function; 6.5 Impact of structural anomalies on VP function; 6.6 Conclusions and some future challenges; Notes; References; Part II Coordination and Multimodal Speech.

Chapter 7 Interarticulatory Coordination: Speech Sounds7.1 Introduction; 7.2 Coordination of multiple articulators for single segments; 7.3 Coordination of multiple articulators for multiple segments; 7.4 Conclusion; References; Chapter 8 Rhythm and Speech; 8.1 Laying the foundations: the many senses of rhythm; 8.2 The isochrony debate; 8.3 The rhythm class hypothesis; 8.4 Rhythm and fluency; 8.5 Rhythm as an emergent phenomenon; 8.6 Models; 8.7 Open questions in the study of speech rhythm; Note; References; Further Reading.

Chapter 9 Auditory-Visual Speech Processing: Something Doesn't Add Up9.1 Introduction; 9.2 What we think we know and think we understand; 9.3 What we know, but do not understand; 9.4 Recommendations for future studies; 9.5 Conclusion; Notes; References; Chapter 10 Multimodal Speech Production; 10.1 The link between speech production and speech perception; 10.2 Speech production in sensory deprived conditions; 10.3 Conclusion; Note; References; Part III Speech Motor Control; Chapter 11 Motor Equivalence in Speech Production; 11.1 What is motor equivalence in speech production?